no subject
Aug. 27th, 2008 01:18 pmI have let it be well known in the past I don't like Nightwish.
Or, at least, I didn't like Nightwish.
Their new singer? Fantastic! Suits the band 100% better than Tarja's wailing ever did. The male vocals are not destroying themselves trying to keep up with the music or the octave anymore.
I can't really say I'm a fan, yet, and I may never be, but they've really, seriously improved themselves. It's listenable, which is more than I can say from previous encounters.
Or, at least, I didn't like Nightwish.
Their new singer? Fantastic! Suits the band 100% better than Tarja's wailing ever did. The male vocals are not destroying themselves trying to keep up with the music or the octave anymore.
I can't really say I'm a fan, yet, and I may never be, but they've really, seriously improved themselves. It's listenable, which is more than I can say from previous encounters.
no subject
Date: 2008-08-28 01:50 am (UTC)Then again, I was exposed to a lot of opera while growing up, so I probably have a higher standard of tolerance for operatic singing than most people.
I do think the band has been steadily improving musically, though. Some of the songs from the new album are fantastic - "The Poet & the Pendulum" especially.
no subject
Date: 2008-08-28 01:15 pm (UTC)I have no idea if Tarja was actually formally trained or not - but I always want to say no, based on her voice profile. I'm a little bit picky like that - I would have made opera my career, if circumstances had allowed.
The band has certainly improved. Part of that improvement, I feel, is that the male vocalists are not strained and hissing trying to keep up with a female vocalist in a range they're not capable of. They're definetely more of a band now, a balanced group contributing to the songs; I always felt that Tarja's voice relegated the rest of the band to being her backup instrumentalists.
no subject
Date: 2008-08-28 11:18 pm (UTC)Yes, she is. She trained at the Sibelius Academy - that's where she met Tuomas - and she's performed with the Finnish National Opera and the Savonlinna Opera Festival.
The band has certainly improved. Part of that improvement, I feel, is that the male vocalists are not strained and hissing trying to keep up with a female vocalist in a range they're not capable of. They're definetely more of a band now, a balanced group contributing to the songs; I always felt that Tarja's voice relegated the rest of the band to being her backup instrumentalists.
That part I do somewhat agree with - she definitely overshadowed the rest of the band, and it was her tendency to treat them as just backup that apparently led to the split. I do think they come across as more of a unit now and less Tarja-and-her-backup-band.